On land, there is a seething tension beneath what the Germans think is a strong grip on things.
#Dasboot rating series#
The drama is a series of thrillers inside thrillers. Her brother has linked her to Carla Monroe (Lizzy Caplan, from Masters of Sex), a Resistance fighter whose anti-fascist leanings previously had her fighting in the Spanish Civil War. What unfolds then, in a finely made thriller mode, is Simone’s introduction to the French resistance. Before he leaves he asks her to meet someone, on his behalf, and exchange some documents. Her younger brother Frank (Leonard Schleicher) is railroaded into being the radio operator on the new U-boat. She’s from the Alsace region of France, and says she’s happier being German.
#Dasboot rating movie#
Meanwhile, a young woman, Simone Strasser (Vicky Krieps from the movie Phantom Thread), arrives to work as a translator for the German military. Trouble is looming on that claustrophobic submarine. He’s an aloof figure, troubled by the weight of his father’s reputation and immediately has issues with his second in command, Karl (August Wittgenstein, who was in The Crown).
Bavaria FictionĪ newly appointed captain Klaus Hoffmann (Rick Okon), whose father was a legendary U-boat captain is about to take over a just-completed boat. Ongoing, of course, is the multiseason adaptation of The Handmaid’s Tale, another novel that was first turned into a film.Īs 40 young men take on their first underwater mission, they struggle with the cramped and claustrophobic conditions of life in a submarine. Recently we’ve seen a new adaptation of Catch-22 from Hulu, and a miniseries based on The Name of The Rose aired on Sundance TV. That is, multipart series based on books that were made into good movies. co-production.ĭas Boot (all episodes available to stream on CBC Gem) is also part of an odd little trend. It expands beautifully outward and inward. That was set almost entirely among the crew of a German U-boat in the first years of the Second World War. A sterling example is a new series derived from the very male and classic German movie Das Boot, from 1981. The British make Nordic-style thrillers, Netflix is everywhere and standards are so high that nothing gets an easy pass for being a nice Euro co-operation. This current age of great TV has allowed all manner of storytelling to be elastic and excellent. Maybe a French star, a German writer and an English director, and what you got was something nobody could digest. It was applied to movies and TV series made with money and artistic input from various European countries. There was a time when the term “Europudding” was the kiss of death.
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